While exploring scenes of everyday life and festive memories, sometimes nostalgic, she studies the relation between the artist, its painting and the spectator. In her creations, moments pass, and faces disappear. These blank faces belong to the spectators and are gradually reconstructed in their minds. They constitute a meeting place for the intimate memories of individuals. Based on the intersection of classical East Asian philosophy and 20th-century French philosophy, La Her investigates memory, emptiness, and relational aesthetics. Her work echoes these reflections, using post-impressionism, American realism, and the seventh art as sources of inspiration. This painting is view of the other side of one of my paintings ‘Hanoi Câ Phè’. Two people are playing outside in spite of the cold weather, like young children. The window reflections inside the cafe are similar to a light wave and shining more than ever in this winter’s evening.