Acylic, coffe and contact print on paper mounted on wood panel Starting from the study of individual and collective energy, my recent projects focus on investigating how the fear of crowds has produced thought and a policy of controlling urban space, the concretization of colonial ideology. My practice evolves from drawing and expands into installations and experimental hand-printing processes, in an attempt to produce alternative narratives of dynamics of a subtle and controversial nature. Recently, the photographic medium has been used and blended with other media, in connection to its nature as a tool that states used for surveillance and control.