Through the use of its biochemical substances during the developing process of the analog film, the photographed forest "Skrylle" in Sweden shows its 'fingerprints' on the film surface. By using this kind of method I am symbolically creating a collaboration between the forest and myself because of political reasons. In this work I am including theories from decolonization, power and sustainability and aim for reflection by the viewer/s. Also the image is printed on sustainably produced cotton/hemp paper from the brand 'Hahnemühle'.