While exploring scenes of everyday life and festive memories, sometimes nostalgic, she studies the relation between the artist, its painting and the spectator. In her creations, moments pass, and faces disappear. These blank faces belong to the spectators and are gradually reconstructed in their minds. They constitute a meeting place for the intimate memories of individuals. The scene of this painting takes place on a calm Sunday evening in March at a Vietnamese-style cafe in the Paris area. We can see two persons sitting next to us and a group of people with reduced mobility sitting on electric wheelchairs. With the winter lights, the artificial atmosphere of the work is reminiscent of film studios; it structures a narrative that is at once mysterious and dreamlike. This atmosphere is visible in the smallest details of the painting. The technique used gives the spectator a different reading of the work depending on the viewing distance.