While exploring scenes of everyday life and festive memories, sometimes nostalgic, she studies the relation between the artist, its painting and the spectator. In her creations, moments pass, and faces disappear. These blank faces belong to the spectators and are gradually reconstructed in their minds. They constitute a meeting place for the intimate memories of individuals. Based on the intersection of classical East Asian philosophy and 20th-century French philosophy, La Her investigates memory, emptiness, and relational aesthetics. Her work echoes these reflections, using post-impressionism, American realism, and the seventh art as sources of inspiration. This work is inspired by an afterwork party in a bar near Canal Saint Martin in Paris. People in suits drink their glasses in a rustic bar. The light bulbs and orange and green tone of the background contrast with the darker color of suits and decorative rocks.