Hand painted with acrylic paint. Post-digital avant-garde. The work focuses on the aesthetics produced by the processing of the machine and by the failure, proper of the digital medium, to reproduce with absolute fidelity the real world, that is, the world as perceived by the human being. In this historical period, where the human seeing and feeling are increasingly filtered by the machine, and the boundary line between reality and virtuality becomes therefore ever thinner, the work highlights the imperfection of the digital, “celebrating”, however, its aesthetics. Thus, the limit of the error is for the artist a resource rather than an obstacle.