Organized by Ghëddo Association with the support of the Accademia Albertina, Giuseppe Verdi Conservatory and Venesio Foundation. Floràlia stages the garden as an archetypal landscape act to recollection and abandonment. Nature, in its conception archaic, it is described in an anti-naturalistic and distorting way. The blue screens recall Pavel Florensky's Heavenly Gates, trait d'union between the earthly and the divine. Floràlia owes its name to the Ludi Florales, the celebrated floral games in ancient Rome to pay homage to the goddess Flora, protector of buds. The soundscape of the environmental installation has been created in collaboration with the choir of the G. Verdi Conservatory of Turin who reinterpreted one of our compositions based on a vamp, a reiterated musical figure consisting of a single triad in key of A major. The recordings made at the Conservatory were then reworked and accompanied by instrumental parts, field recordings and drones.