The gracious star, which gladly rises before the dawn, And Lucifer is named T. Tasso As a transfiguring model of the temple - sacred enclosure -, from which it borrows its function as a means for contemplation, the aedicule does not belong to a bourgeois, worldly and pharisaical religiosity, made up of Sunday masses in cathedrals, of rulers occupying the pews closest to the altar. On the contrary, it is the mirror of an orphic, popular, pure spirituality. Rosa Mystica enters into this quest. The installation consists of a central votive image projected via a television set. Around it, neon lights and dried flowers help the viewer feel as if in front of a modern sacred shrine.