This series of paintings dwell on certain aspects of landscape paintings explored by some painters from the German Romanticism such as Caspar David Friedrich, that depict tropical and exotic lands through the veil of the Romanticism: Seasonal centre European colours were superimposed to equatorial places, where foliage high and low are more brown than emerald green, and skies are never bright blue but grey or white. Yet those paintings are incredibly spiritual and philosophical affairs, painted to afford the viewer a unique experience: beyond the sharing of a view framed in a specific composition, depicting the cycles of life while drawing the eye of the viewer from the light to the darkest crevasses. Those paintings were made for contemplation. This series are exercises of memory and nostalgia, since Renata is looking back to her country and its landscapes, Venezuela, with a sense of loss and foreboding. The making of these paintings usually require a lot of time: they are Zen